I must give the International Fahey Committee (henceforth the IFC) an acknowledgement here, with their very comprehensive and well researched information on the johnfahey.com website. It is by far the best Fahey site, and I have put up a couple of links to them on the right. At one point, they hypothesize a discussion in a pub where people debate different theories as to the finer points of Fahey's records, and my posts here will simply be intended to be part of that general ongoing discussion (and with the odd pint or two as well, hopefully). My particular thanks to Paul, Malcolm and David who have given both encouragement and material for posting here. And also to Glenn Jones who has put considerable time into producing some wonderful photographs, and to everyone who have donated material, all of whom are listed for contributions in the sidebar.
Since there is a little confusion, I should make clear that when I say 'Takoma' I am referring to the independent US label that existed from 1959 to 1978; not to companies that reissued material nor those that held any foreign rights to Takoma recordings. Chrysalis and Allegiance pressings are identified as such, unless the record concerned was given its original release by them.
To keep things fairly straightforward, recent posts are now shown in sequence below. You'll find older articles, downloads, and the label posts through the links on the right.
Unless authorship is clearly attributed to others, the written content of this blog is my own work. I am quite happy for this to be quoted elsewhere, providing that I receive an acknowledgement and a link back to the appropriate post.